Rating: 
(36 reviews)
Author: James Thurber
Publisher: NYR Children’s Collection
Product Description
Once upon a time, in a gloomy castle on a lonely hill, where there were thirteen clocks that wouldn’t go, there lived a cold, aggressive Duke, and his niece, the Princess Saralinda. She was warm in every wind and weather, but he was always cold. His hands were as cold as his smile, and almost as cold as his heart. He wore gloves when he was asleep, and he wore gloves when he was awake, which made it difficult for him to pick up pins or coins or the kernels of nuts, or to tear the wings from nightingales.
So begins James Thurber’s sublimely revamped fairy tale, The 13 Clocks, in which a wicked Duke who imagines he has killed time, and the Duke’s beautiful niece, for whom time seems to have run out, both meet their match, courtesy of an enterprising and very handsome prince in disguise. Readers young and old will take pleasure in this tale of love forestalled but ultimately fulfilled, admiring its upstanding hero (”He yearned to find in a far land the princess of his dreams, singing as he went, and possibly slaying a dragon here and there”) and unapologetic villain (”We all have flaws,” the Duke said. “Mine is being wicked”), while wondering at the enigmatic Golux, the mysterious stranger whose unpredictable interventions speed the story to its necessarily happy end.
5 Comments
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I really do like this book. I like fairy tales, especially the kind like Ella Enchanted and Fairest by Gail Carson Levine. In the pictures the wicked duke looks so hilarilously silly! The prince is handsome and the princess pretty, of course! The Golux’s hat is indeed indescribable and the woman Hagga cries jewels instead of tears. He! He! He!
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read it, lest you end up being slit from your guzzle to your zatch! a book for all ages, and any age. Fairy stories with a twist of Thurber.
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Watch out for the Todal n
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James Thurber’s The Thirteen Clocks is a delightful tale for people of all ages. I was first introduced to this seemingly conventional story at age five when my father read it to me as a pleasant bedtime story. It was not until I could read for myself that I began to notice what sets this story apart from so many other children’s stories–its characters and great dialogue. Even re-reading it now, as a college student, I immensely enjoy its refreshing humor. Thurber uses a simple storyline, poetic devices, and clever characterization to make The Thirteen Clocks enjoyable to any and all ears.n
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The Thirteen Clocks is enjoyable for kids of all ages (meaning grown-ups as well) because it follows the basic and familiar “prince saves princess” storyline. Prince Zorn of Zorna must win the hand of Princess Saralinda by bringing back a thousand jewels to her uncle in “six and sixty days” (32). Though it seems that six and sixty days are not ample time for him to complete such a task, Zorn of Zorna miraculously succeeds. This follows the plot of most classic fairy tales I can think of (excluding Rumplestiltzkin and Beauty & the Beast). There are so many prince-princess stories because every child (and deep down, every adult, too) wants to be a prince or princess. There is something appealing to human nature about glory, fame, wealth, beauty, and general happiness, all of which are presented as direct benefits of being royalty. Also, everyone loves a happy ending where justice is served–the good guys win and the bad guys suffer. The Thirteen Clocks does indeed include a happy ending of this nature. Not only is the story simple enough, but it is also relatively short (my copy is seventy pages with fairly large text) and includes pictures. Bedtime stories are, by nature, short stories. When parents concede to read just “one more bedtime story,” they do not want it to take all night. Furthermore, it is simply easier to understand a story when you sit down and read the entire thing at once. Children admittedly have short attention spans. The rest of us adults do too, but we pretend to have a more mature mind, especially when it comes to paying attention. The Thirteen Clocks appeals to everyone, young and old because it is a familiar and somewhat simple tale. n
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All audiences can also appreciate The Thirteen Clocks for its musical language as seen by the poetic devices of rhyme and rhythm. In the beginning of the story, Prince Zorn of Zorna disguises himself as a minstrel and sings of various things whose mention are forbidden by the evil Duke. A villager tells the Prince that one of the Duke’s spies will “die because to name your sins, he’ll have to mention mittens. I leave at once for other lands, since I have mentioned mittens…You’ll never live to wed his niece. You’ll only die to feed his geese” (17). The rhyme combined with the absolute hilarity of this statement amuses the reader and is rhythmically pleasing. Smaller children may not catch or understand the substance of this passage completely, but they will enjoy hearing the rhyme scheme (AAABB) and rhythm pattern (8-7, 8-7). Literary enthusiasts will take note and admire the patterns evident in Thurber’s writing. Another great example of Thurber’s amusing and rhyming style is, “‘It’s odd,’ the Golux muttered to himself. ‘I could have sworn that she had died. This is the only time my stomach ever lied’” (54). Here again, Thurber amuses his audience by using this constant pattern of rhyme and rhythm. Humans love to find patterns–it brings sense and order to the sometimes chaotic world we live in. By creating this literary and somewhat musical pattern, Thurber’s tale appeals to both the young and old. n
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The Thirteen Clocks is appealing because its characters, the likes of which have never been seen before in literature, add excitement and flavor to this familiar story. There are three truly out-of-the ordinary characters–the Golux, who is “always on hand when people are in peril” (18), Hagga, the weeper of jewels; and the unpleasant Todal. Of these, the Todal is the most outrageous character. The Todal is “made of lip,” “looks like a blob of gulp,” and “smells of old, unopened rooms” (36, 29). This creature is “waiting for the Duke to fail in some endeavour such as setting you a task that you can do” and is “an agent of the devil, sent to punish evil-doers for having done less evil than they should” (29, 30). There is no monster as quirky, interesting, and terrifying as the Todal in real life or in a book. By presenting his readers with such bizarre characters, Thurber appeals to their sense of humor, as well as to their sense of terror. The creativity and flair for language possessed by Thurber are most obvious in the descriptions of his characters. This sets his tale apart from others with similar, but seemingly less lively stories. More than anything else, The Thirteen Clocks is enjoyable because of its uniqueness in characterization.n
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This truly wonderful and shockingly good fairy tale is full of enough excitement and goodness to be appropriate for a bedtime story. Yet Thurber’s true talent lies in his creative and imaginative abilities which allow for readers and listeners alike to enjoy this book. It is set apart from other fairy tales by its clever use of words and unparalleled characters. Buy this book (though I would suggest the hardcover edition with colored illustrations) or run to your local library before the Todal gulps you!n
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I had not heard of James Thurber (I’m not from Northern America :)) until one of my friends on a study abroad program brought this book to our apartment and we started reading it out loud to each other. I loved it so much that I’ve read it three times already. Thurber’s playing with the language is so amazing, cute and fascinating that it makes you speak “his way” after you read the book.
And all his ideas are wonderful! This all makes the book one of a kind, really.
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I was astonished to receive the summer list from The New York Review Children Collection and to find this extraordinary book by James Thurber. It begins:n
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“Once upon a time, in a gloomy castle on a lonely hill, where there were thirteen clocks that wouldn’t go, there lived a cold, aggressive Duke, and his niece, the Princess Saralinda. She was warm in every wind and weather, but he was always cold. His hands were as cold as his smile, and almost as cold as his heart. He wore gloves when he was asleep, and he wore gloves when he was awake, which made it difficult for him to pick up pins or coins or the kernels of nuts, or to tear the wings from nightingales.”n
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Neil Gaiman’s Introduction was so good and so loving I had to read more, and I found this entry from November 2001 on his blog:n
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“So I’m reading James Thurber’s “The 13 Clocks” to my daughter right now.n
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“I mentioned the fun I was having reading the book to American friends, expecting a chorus of “yes, it was our favourite book as children” and got nothing but blank looks and people shifting uncomfortably in their chairs. [I would have shifted just as uncomfortably three weeks ago.] …n
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“To my surprise, and to my dismay, I discovered that it’s more or less out of print (there’s a hardback that may be in print, but Amazon have it listed as unavailable and won’t let you order it), and even the rare bookfinder services don’t have any Ronald Searle illustrated copies. Which leaves me perfectly gobsmacked. I mean, it’s one of the great kids’ books of the last century. It may be the best thing Thurber ever wrote. It’s certainly the most fun that anybody can have reading anything aloud (I’m doing the Duke as Peter Sellers doing Olivier doing Richard III, and the Golux as Marty Feldman). If I ever wrote something half as good I’d be over the moon. And it’s out of print.”n
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I suppose Gaiman’s love letter must have led to this wonderful new edition and to his being chosen to write the Introduction. Whatever the facts, my deepest gratitude to NYRB and to Gaiman and to Marc Simont for the wonderful illustrations. This is a treasure for kids and for adults.n
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Robert C. Ross 2008
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